Thursday, August 26, 2010
When Men's hearts Change the World Will Know Peace.
Tuesday, July 20, 2010
Diary Entry

I feel like writing, so here I am doing what I feel. I don't have anything particularly striking to jot down right now. I want to let it flow and see what comes. I guess I'll start by talking about what's been running through me lately. What have I been doing.
Saturday, July 17, 2010
The Haves vs. The Have Nots
Friday, July 9, 2010
Medicinal Herbs: Showy Milkweed
WORLD CULTURE
Thursday, July 8, 2010
Skeptical of Skeptics: The Power of Belief
Tuesday, July 6, 2010
The Banana Leaf Parable by Charles Eames ( American Designer )
And a little bit higher, why, they have a glaze on--a thing they call a "tali"--they use a banana leaf and then the ceramic as a tali upon which they put all the food. And there get to be some fairly elegant glazed talis, but it graduates to--if you're up the scale a little bit more--why, a brass tali, and a bell-bronze tali is absolutely marvelous, it has a sort of a ring to it.
And then things get to be a little questionable. There are things like silver-plated talis and there are solid silver talis and I suppose some nut has had a gold tali that he's eaten off of, but I've never seen one.
But you can go beyond that and the guys that have not only means, but a certain amount of knowledge and understanding, go the next step and they eat off of a banana leaf.
And I think that in these times when we fall back and regroup, that somehow or other, the banana leaf parable sort of got to get working there, because I'm not prepared to say that the banana leaf that one eats off of is the same as the other eats off of, but it's that process that has happened within the man that changes the banana leaf.
And as we attack these problems--and I hope and I expect that the total amount of energy used in this world is going to go from high to medium to a little bit lower--the banana leaf idea might have a great part in it.
Monday, July 5, 2010
Saturday, July 3, 2010
....Life
Thursday, July 1, 2010
TRIBAL CULTURE
Leader of the Asurini (Red People) Tribe in the Amazon Jungle, Brazil.Asurini material culture includes the following items: ceramics, weaving, basketry, weapons, body ornaments, wooden benches and musical instruments (flutes). Ceramics and weaving (hammocks, slings, headbands and other ornaments made of cotton) are the women’s tasks. Ceramic pots serve as recipients to transport and deposit water, serve food and prepare it over the fire. In the latter case, these are earthen vessels which have become black with use. For other uses, ceramics are decorated with geometric designs.
Ceramics are prepared from a clay that is obtained from deposits two or three kilometers away from the village, located near the banks of the Xingu River. The vessels are made by using the technique of cording, that is, the overlaying of rolls of clay. The form of the vessel takes shape from the fusion of the rolls together and with the help of a spatula made from a gourd. With this also, the potter does the initial smoothing of the piece which will later be complemented during the drying of the piece, using the fruit of the inajá or a rolling stone. The border of the vessels is usually shaped with the fingers or by using a species of lichen that makes it fine and uniform. After drying, the vessel is initially burned, being placed near the fire until its surface appears very dark. Later it is burned in an oxidizing atmosphere with the barks of different types of trees.
The final touches on the undecorated pieces are made by applying a layer of a substance contained in the inner bark of the stalk of a tree, giving them a reddish-brown color. In the painting of the decorated pieces, mineral raw material is used, that is, small stones of three colors: yellow, red and black. These stones are rubbed onto another larger one, thus producing the dye. The yellow one is used as a base, painting the entire external surface of the piece with this color. The black and red are used in the elaboration of geometric designs. These are done with paintbrushes that can be made of small pieces of wood covered with cotton, palm leaf stems, plant stems or feather fiber. After finishing the painting, the piece is left to dry. Afterwards, a layer of resin from the jatobá tree is passed over the external surface of the piece, polishing it and fixing the dye.
Besides ceramics, geometric designs also decorate the gourds (incised), bows and ornaments (traced). From a vast repertoire of motifs and patterns of designs used in the decoration of these items of material culture, there are those that are used to ornament the body, either by tattoing or painting with genipapo. These designs are stylizations of elements from nature, as well as representations of supernatural beings or symbolic elements, such as Anhynga kwasiat (a mythical being that gave the design to men) and Taingawa (a doll used in shamanic rituals and that also means “image, model, replica of the human being”).
Contemporary Influence of Amazonian tribe appearances: Check out these cool music videos.
Basement Jaxx video for their song "Raindrops"
Wednesday, June 30, 2010
Anthropology

Thursday, June 10, 2010
Texture
Wednesday, June 9, 2010
Yoruba people in Southwest Nigeria und neighboring Benin.
Yoruba religion places a great importance on communication with the other world and establishing a relationship between their deities and their true self, known to the Yoruba as the Ori Inu (Inner Head). This is done through divination and other ritual ceremonies that change one’s outer appearance in order to symbolically connect the performer with his/her specific deity (orisha). These practices demonstrate the fundamental Yoruba belief in mind/body unity in which the mind and body are one. Yoruba are therefore greatly concerned with physical appearance because it allows for “cosmic communication” (Henry Drewal) with the deities and the reflection of one’s inner strength.
Spiritual divination is accomplished through the use of two methods of body decoration: the gbere and the osu. Gbere are hidden inoculations that facilitate worship and encourage divine possession through heightened senses. In contrast, the osu are temporary and visible paintings on the head. Deity- specific colors and patterns attract and direct cosmic forces and open the way for communication between the two worlds.
A key component in their religion is the idea of the inner and outer heads (Ori Inu and Ori Ode). The inner head represents the spiritual self and one’s true identity and destiny. The outer head acts as a shell for the inner head. Harmony is achieved between the two heads by maintaining beautiful outward appearances. Hairstyles reflect many personal attributes: one’s inner strength, taste, status, occupation, power, profession, age, state of mind, and stage in life. Women’s hair is often styled in a crown to honor the inner head. During spiritual ceremonies, men often take on this female hairstyle in order to harness the powers of the female deities.
Many other aspects of Yoruba culture reflect the importance placed on the inner and outer head. While Yoruba art is naturalistic in its depiction of the human body, it stays true to the ideals of their religion by placing disproportionate significance on the head. The head is literally created bigger than the body and often has elaborate crown-like hairstyles along with large, protruding eyes. These elements connect the inner head with the outer head and eyes, stressing the notion of perception and communication as tools to connect with the deities of the other world.
Stop Driving
It's quite interesting how something so awful and detrimental to life can be so beautiful. This photo captures the browns and blacks that melt over the pelican and into the ocean. It's so odd, so mucky, but nice to look at.
Poetic. Like Edgar Allen Poe's Raven.Tuesday, June 8, 2010
Cool Things I Want.
Little Wood Block Speakers to attach to a computer (or an i-pod)
Nice Headphones, green and white, and they look really comfy! $70
This is cool. It's a jar with an LED light inside. Open the top to expose a solar energy bit, which will charge during the day. At night the light will glow in your bedroom or home somewhere. Says it "captures the sun," and that's why I love this orange one, because it really looks like a bit of sun got caught in there! Also comes in blue or purple.
My Art Practice

I have been really loving all these women's creative blogs and their communities of other creative bloggers. I've seen A LOT of scrap-booking, which is always fun. And, I've come across the more serious painter's blogs.

Sunday, June 6, 2010
San Francisco Ethnic Dance Festival
My mom and I volunteered last year. It was great. In my mind I'm making it a tradition. So we'll be there again today!Thursday, June 3, 2010
Reverse Graffiti

Wednesday, June 2, 2010
Things I Love

I was shopping today, searching for wedding dresses for my half-brother's wedding. He's about forty, and it'll be in Indiana. My mom and I went into Anthropologie, one of my favorite stores. And, as I a sculpture artist I really must comment on how great their creative displays are! In the window behind and surrounding the maniquins is a flowing tubular sculpture of wicker strips, bulging in and out. It looked like an abstract extension form of a tribal fish catching contraption. I am very attracted to multiples and sticks and wood things especially. Inside there was another linear flowing form reaching from the floor to the ceiling. This one was contrived with multiple rolled up pieces of paper. Shaped like trumpets. The ends which faced front had been dipped in different shades of blue. It was watery, delicate and beautiful. Who makes these!?
Contemporary Art

Yo.
Boyle Family aims to make art that does not exclude anything as a potential subject. Over the years, subjects have included: earth, air, fire and water; animals, vegetables, minerals; insects, reptiles, water creatures; human beings and societies; physical elements and fluids from the human body. The media used have included performances and events; films and projections; sound recordings; photography; electron-microphotography; drawing; assemblage; painting; sculpture and installation.
They were also making up the light and stage shows for Jimi Hendrix back in the day.
....in their work they try to isolate and reduce randomly chosen elements to as truthful an approximation as is within their power.
Their work is largely about trying to release themselves and their audience from pre-conditioning or prejudice.
‘We also want to be able to look at anything without discovering in it our mothers' womb, our lovers' thighs, the possibility of handsome profit or even the makings of an effective work of art. We don't want to find in it memories of places where we suffered joy and anguish or tenderness or laughter. We want to see without motive and without reminiscence this cliff, this street, this field, this rock, this earth.’
Tuesday, June 1, 2010
Today
Monday, May 31, 2010
Africa
NAMASTE.
Thursday, January 21, 2010
Trauma

Eye do not know everything, and yes, the more I learn the less I know about life. Yet, I have rational thoughts like anyone else, with which I feel that I have an understanding of life. Let me divulge on my current one.
Sunday, January 17, 2010
Tribal Fashion


Natural Fashion: Tribal Decoration From Africa by Hans Silvester.
From Publishers Weekly
Starred Review. In this stunning collection of photographs, Silvester (Ethiopia: Peoples of the Omo Valley) celebrates the unique art of the Surma and Mursi tribes of the Omo Valley, on the borders of Ethiopia, Kenya and Sudan. These nomadic people have no architecture or crafts with which to express their innate artistic sense. Instead, they use their bodies as canvases, painting their skin with pigments made from powdered volcanic rock and adorning themselves with materials obtained from the world around them—such as flowers, leaves, grasses, shells and animal horns. The adolescents of the tribes are especially adept at this art, and Silvester's superb photographs show many youths who, imbued with an exquisite sense of color and form, have painted their beautiful bodies with colorful dots, stripes and circles, and encased themselves in elaborate arrangements of vegetation and found objects. This art is endlessly inventive, magical and, above all, fun. In his brief text, Sylvester worries that as civilization encroaches on this largely unexplored region, these people will lose their delightful tradition. 160 color photographs.As an artist myself I take great inspiration from the images I have seen from this book already. I am interested in traveling and in photography, and I have great passion and good eyes for doing so. Through these images I have recently discovered on the internet by Hans I am inspired for my own creative project of paintings and sculptures. Tribal Fashion are two words with meanings that I have been drawn towards, yet never did I expect to find the two together. There are so many inspirations here, so how to I begin without displaying an overwhelming array of words? I love nature and the use of what it has to offer: leaves, flowers, palm fronds, corn husks, spices, and more. I love tribes, because they show a true human connection to the earth. This is how I think humanity should soon exist again. They see the beauty in the nature on the planet and display that in their everyday lives. This is a deep spiritual existence that they have. The creativity in these African people's designs shows the fun of life.
Friday, January 15, 2010
Creation

Materials I like:
Hemp/Burlap/Glitter/Rhinestones/Prisms/Glass/Spray Paint/Sharpies/Wood/Metal/Spices/Leaves/Flower Petals/Stones/Feathers/Cloth/Textiles/Coffee/Chocolate/Papier Mache/Hammer and Nails/ Metal Working/ Wire/Acrylic Paint/
The Beautiful, The Spiritual, The Inspirational is what compels me.
Thursday, January 14, 2010
Full Circle
The past year brought me full circle. I was on the opposite side of the beginning and I came right back. It's been a shaky feeling to come back to see where I am now standing. I can comfortably see all around me, as if I am standing on a stump stuck in the middle of the sea. And I feel that circle on my back, like a hand of unconditional comfort. Life is a beauty that my rational mind is blind to. It is a like a light that we all must stand alone with. Although, we are all swimming in it's waters. Blessed be I step off the log, and enter the pathways of life. Life is shared between us all, it is like a father and we are his children. Now, I understand the many religions ideas about the God figure. But, it is a metaphor. The rational mind appreciates idols, which are in their own image ("God created us in his own image"). Yet, the spiritual nature of life on the planet, which is understood by humanity, is not known by this method of thought. Thinking about the roots of where our passions lay, we find the truth and light. It cannot be explained to another, but it can be talked about and discussed. It cannot be learned in a church or a philosophy classroom. It is outside of humanity, yet channeled through us. Like, the different sections of our brain, there are different rooms to the homes of our beings. I am one part divine being, and I am another part social human, and in between the two lives my heart, like a fireplace in my living room. I see this metaphor for all people, and their location of warmth is vital to our existence.Some ask: Why do we exist, what is it for?
Even when the love and peace within us and between us is achieved, that answer will not come. It is a question without an answer, and there lies the wonderment, awe, often bewildered feeling that comes with life.
We are the embrace the unknown and laugh like children.
Song: The Beatles. Across the Universe.
Tuesday, January 12, 2010
Blindness.

I just finished watching "Broken Embraces," the new film by creative Director Pedro Almodóvar. In it, the protagonist had become blinded by a car accident. It made me think about how life is different when living without this important sense. I've thought about being blind before. I think it was a self-conscious phase in which I almost wanted to be living without other people's stares affecting my ego.
Now after the film, I am inspired to imagine a world of darkness:
I have let go of desiring sight.
I am peaceful in the dark.
I see light instead of form.
I see with my imagination.
I imagine more than ever.
Eye can feel sensations on my skin on a cellular level.
Eye can sense my border-less existence with my environment all the time.
Eye smell and it sets my mind ablaze with wonder.
Eye can hear sounds as individual circular waves.
Eye can see now.
Native Relationship

I have had this on my mind ever since it occurred. It seemed as sad as a hawk with a broken wing.
We had begun a journey with very little plans in mind. I have spontaneity in my heart that makes drastic movement a necessity. I travel naturally. So, I brought my boyfriend on board for a drive down through California.
The trip was a meditation through the desert. The border at a new state, Arizona, was exciting to cross. The sun was setting, and rock of flat tops and orange lines made an impression. I have a profound interest in the earth's land. The formations spoke of grandeur, of Native history, of deep meditation and of nirvana. The desert's harsh landscape has the power to extract a humanly connection to the mystery of the universe. It is the plainest backdrop for discovery, which makes the search all the more motivated.
As we found by road sign, the Grand Canyon was only 200 miles away. That was the destination of this exploration I decided, because New Mexico seemed too many gas tanks away. That night we ventured to the shore of Lake Havasu, and we finally held each other in the distant feeling of our surroundings. Our bodies came close together with love. The sun had set and left a light blue glow to hint through the black shadow of tree and brush. There appeared a silver glimmer across the watery surface. I felt the subtle power of this state's land crawling into my mind's eye.
We felt compelled to a night of gambling in a near by town, which was suggested to us by a nice Arizonan, who had also offered up his couch for the night. We thanked him for his kindness, but opted for another adventure over a hill. Of course, it turned out, we would be going to Nevada for the casino. We laughed, because no one we had talked to had mentioned the fact that this town, so highly regarded by the Arizonans, was in a completely different state!
The colors glistened like candy against the night. So many flavors lighting up the dark desert. A building ignited in a green glow piqued my interest. But, we followed the ant like movement of blue hues crawling in a neon light display of water into another. The casino was as boxed in as it would be. Shiny lights, colors, sounds, little outfits for the thin waitresses, and drinks and cigarettes welcomed guests to put there money on the table or in machines to watch it fade away. I decided after two dollars that I was over the gambling life. My boyfriend found himself in a frenzy, as he was gaining number money in a game of Blackjack. The turmoil of his excitement, left him confused and down ten dollars. Casinos are a bust, let's go.
We slept beneath the stars, but in the warmth of the back of my car and each others arms. It was the best nights sleep that we had after confessing our deep love and appreciation for one another. We awoke early and headed south to Arizona once again.
On the way towards the Grand Canyon, the ride was wonderfully freeing feeling. The wonder of one of the world's "seven" was an excitement that can be described as an emptiness, a peace, and a belief. We traveled up through an Indian Reservation to the Grand Canyon, passing a beautiful canyon along the way. Finally out in the horizon I could see a long expansive strip of purple and red rock, which appeareay along the d to be the sun setting in land form. A mystical layer of mist covered the top of what I saw.
Little did I know that once we arrived, the destination would make me feel that I did not want to be there. We slowly followed a couple cars into a fenced off area. My nose crinkled as I watched old Native American Indian women dancing to a sacred song playing through speakers over a picnic area. We were told our directions and I felt like I was in prison. Huge buses were standing in our way, and silver helicopters, and barbed wire fences also. I felt forced into submitting to a role of tourist with cash in my pocket. I was discerned as we followed form into the building to purchase tickets. We passed up a large white couple taking pictures with a Native man dressed accordingly, and European and Japanese tourists too. We are from California and we wanted to see the nature of our neighbor state. Why am I being corralled into this situation, I wondered? At the front desk we discovered the appalling price given to viewing the natural wonder and the tourist bus we needed to ride. I was disgusted.
The Native tribe was doing all that it could to make money off their land. I understand, that this is what the white people who inhabited America have ultimately forced them to do. They have little money to survive with and are a struggling nation. This innovative amusement park surely puts dollars in their pockets and that is commendable, yes. There was something so wrong with the situation though, and there was a huge fence blocking the what was right.
I was angry, because It feels like the worst wrongdoing that nature be guarded, fenced up and made into an attraction that a human must pay to access. The earth is free. I understand that the land has been marked as reservation land, and so it is not really public. So, now I ask what is the cost spent by the Native tribe? What have they sacrificed for their money making set up?
I think a lot. The principles of their culture have been withheld as they have adopted a (western/European) mode of functioning. They are not sharing or glorifying the land. Instead, they are exploiting it. They leave visitors uninspired by the spirit of nature and unconnected to their Native history.
There should be a shift in consciousness soon where people begin to see the importance of being one with the land, and feeling the spiritual in its beauty. The opposite was being done on this reservation, and I felt that the people were losing themselves by offering the land in such a capitalistic manner.
I admire the Native American's for their culture and beliefs so much. What I know about them seems to be something so ideal in its capacities of being one with the earth and the spirits of the galaxy.
That is something that we all will soon learn as the world continues to turn.



